Journal
Hems, bias, beading — and why each takes as long as it does.
These are written by whoever did the work. Anastasia on hems, Eleftheria on beading, Niccolò on drafting a lapel that rolls rather than folds.
They are the closest thing this house has to a manual, and they exist mostly because clients keep asking good questions at fittings.
Anastasia Drosou hand-rolls every hem in the workshop. We watched her finish the Calypso cocktail dress in three quiet hours.
A bias cut moves because it is cut against the weave. Athina explains why the Galateia takes forty-eight pieces instead of six.
Eleftheria on the difference between beading that survives a dance floor and beading that survives a photograph.
Trunk show invitations, bridal diaries, and quiet first looks at the collections. Nothing else.